Christopher Nolan is a famous British filmmaker, Born in the London Borough of Westminster in 1970.
Although he never won an Oscar, this director has been nominated five times, a curious fact that tells us about his great relevance in the world of cinema. In his films, Nolan has worked with many great actors such as Leonardo DiCaprio, Heath Ledger, Christian Bale, Morgan Freeman and Matt Damon, because as we see, the distribution of his films is for this filmmaker a vital factor of importance. .
Famous quotes from Christopher Nolan
Some of his most famous films are: “Batman Begins”, “Interstellar”, “Prestige” or “Dunkirk”, fantastic films with which he certainly managed to create a whole legion of true admirers. .
Below is a collection of Christopher Nolan’s 80 best quotes, An interesting filmmaker who will surely surprise us with many great films in the future.
1. A camera is a camera, a roadblock is a roadblock, how to tell the story is the main thing.
Every great director must know how to tell stories, because in the end, being a filmmaker is exactly what it is.
2. You will never learn something so deeply as when it comes to pure curiosity.
Curiosity was absolutely necessary for human beings to be able to develop today’s civilization, because without it we would never have been able to reach the technological point where we are today.
3. Each film should have its own world, a logic and a feeling that extends beyond the exact image the audience sees.
Details are certainly very important, because as filmmakers we all need to know that without them we will never be able to infuse our films with some veracity.
4. For me, Batman is the one who can be taken seriously the most. It is not from another planet, nor is it filled with radioactive waste. I mean, Superman is essentially a god, but Batman is more like Hercules: he’s a human being, very flawed, and bridges the gap.
Batman is certainly a man on the streets a lot more in his stories than Superman, as Nolan tells us in this quote, Superman looks a lot more like some sort of semi-god.
5. Why do we fall? So that we can learn to recover.
It is only from our mistakes that we learn that our defeats can in fact be the most valuable lessons life offers.
6. I like movies that turn my head in all kinds of different directions after seeing them.
Nolan has always sought to surprise audiences with his films, which he has certainly achieved on numerous occasions.
7. Movies are subjective: what you like, what you don’t like. But what for me is absolutely unifying is the idea that every time I go to the movies and pay my money and sit and watch a movie on the screen, I want to feel that the people who made this movie think it’s the best movie in the world, they threw it all out and they love it. Whether you agree or disagree with what they did, I want that effort, I want that sincerity. And when you don’t feel it, it’s the only time I feel like I’m wasting my time at the movies.
This is indeed a very revealing quote about this famous director, because we see from his point of view that only filmmakers who are truly passionate about their work, deserve all their respect and consideration.
8. I think audiences feel too comfortable and familiar in movies today. They believe everything they hear and see. I like to shake it up.
As a filmmaker Nolan is a director who likes to confuse audiences, in his films viewers should never know what is going to happen next.
9. You don’t have to be afraid to dream a little bigger, for affection.
Only people who dream big will get big rewards in the future. Well if we don’t believe in ourselves we will never reach our goals.
10. Every great story deserves a great ending.
Great stories deserve an end according to them. As a director, Nolan is passionate about the grand finals, for him they are a truly transcendent part of any movie.
11. When it comes to the dream world, the psyche, and the potential of the human mind, there must be emotional risks. You have to fight against memory and desire issues.
The human mind is a very mysterious place, even today many aspects of its inner workings are still completely unknown to us.
12. At some point when you start to think too much about what the audience is going to think, when you are too conscious, you make mistakes.
As a filmmaker, this director knows full well that he has to make films for himself, not for a certain target audience.
13. There are times when you fear putting on too much and alienating the audience. But, oddly enough, some of these fears are not correct.
This director never knows how certain excerpts from his films will perform in front of the public, as people’s immediate reactions are sometimes totally unpredictable.
14. Superheroes fill a gap in the pop culture psyche, similar to the role in Greek mythology. There is really nothing else that does the job in modern terms. To me, Batman is the one who can be taken seriously the most.
Superheroes are really interesting characters, thanks to them people can fantasize about what would happen if we had superpowers.
15. I’ve always thought that if you really want to try to make a good movie, not a good movie, but a good movie, you have to take a lot of risks.
Making a great movie is not an easy task, because as this well-known director tells us very well, only by taking certain risks can we be able to create it.
16. One of the things you do as a writer and as a filmmaker is to capture resonating symbols and images without necessarily fully understanding them.
Filmmakers have to be deeply sensitive people, because it is thanks to their sensitivity that they can create films that are very similar to a large number of people.
17. It is not that common for you to have great business success and then have something to do that can get people excited.
In life, the luck factor is very important, because if it does not accompany us, we will never succeed whatever our profession.
18. I have been fascinated by dreams my whole life, since I was a child, and I think the relationship between movies and dreams is something that has always interested me.
This quote tells us about the famous movie “Origin”, starring Oscar winner Leonardo DiCaprio. An exceptional film, which over time becomes a classic of this famous filmmaker.
19. What you don’t understand is that people are not inherently good. We are fundamentally selfish. We are pushing and crying and screaming in adoration, and beating everyone to get it. Life is a competition of chattering peacocks absorbed in mating rituals. But despite our moderation and importance, we are all slaves to what we fear most. You have a lot to learn. Here. Let me show you.
Human beings do not always have good intentions, unfortunately evil is something that often abounds in people’s hearts.
20. I studied English literature. He wasn’t a very good student, but one thing I got from him, making films at the same time as the university film society, was that I started to think about the narrative freedoms whose authors had enjoyed it for centuries and that filmmakers should also enjoy these freedoms.
Filmmakers should always be free to express themselves freely through their films, cinema is a truly wonderful art that should never have barriers of any kind.
21. The term “gender” ends up becoming derogatory because you are referring to something so codified and ritualized that it ceases to have the power and meaning it had when it did. start.
It is true that genres largely categorize films, a way of categorizing which, as we can see, is not at all attractive in Nolan’s opinion.
22. Regarding dreams, I would just like to point out that there are times in my life when I have experienced lucid dreams, which is a great feature of “Inception”: The idea of realizing that you are in a dream and therefore to try to change or manipulate it in some way or another is a very amazing experience for people who have it.
Not everyone has had the experience of having a dream come true, but there are certain techniques that can help us make them happen. The dream world can certainly be a very interesting place where we can all immerse ourselves.
23. My goal with actors is to try and give them what they need from me. The direction for me is to listen and respond and realize how much they need to know about me and how much they have discovered on their own, really.
If the actor / director relationship is good, the film that comes out of it certainly will be.
24. I like films that don’t have this unanimous answer; who do not have consensus at the hearing. What is essentially for me is that if you come back to see the movie for the second time, do you feel like you’ve been played clean? Are all the leads in place? In fact, sometimes these things are even exaggerated. Concretely, for this reason.
The best movies are the ones that with just one watching you can’t see all the details. As a director, he always tends to pursue, that viewers of his films can see them more than once.
25. I never like to feel like I can demand that an actor trust me and that I’m going to do something worthwhile. I feel responsible for articulating what I’m going to do. Show them a full script or sit down with them and describe my ideas in detail. As a director, it’s a very healthy load for me to be able to express what I want to do, to inspire the actors, rather than just saying, believing that I can do something worthwhile.
The actors must also do their part, because without their essential collaboration, great films could obviously never see the light of day.
26. I will miss Batman. I like to think it’s going to surprise me, but it’s never been particularly sentimental.
Having shot several films of this famous character, as we see, Nolan already has a great connection with him. Something that would surely happen to any of us too.
27. I don’t really tend to do a lot of research when I write. I know because I think a lot of what I think you want to do with research is just confirm the things you want to do. If the research contradicts what you want to do, you tend to do it anyway.
Certain research can only further complicate our work, because if you want to be too thorough in the creation of a film, it may never come out.
28. The real truth is that while you may want to believe that you are the target of everything, you actually trust the people around you overwhelmingly.
Delegating can be a good option, but there are some important tasks that will probably always be better done on our own.
29. You should always be very aware that the public is extremely ruthless in their demand for novelty, novelty and freshness.
Audiences are always thirsty for new experiences, which for filmmakers is certainly very difficult to achieve over and over again.
30. For me, any kind of responsive shoot won’t be as good as something more ingenious and original.
As a director, he has always had his own way of working, which over time has allowed him to differentiate himself enormously from other directors.
31. We all get up in the morning wanting to live our lives the way we should. But we don’t usually do it on a small scale. This is what makes a character like Batman so fascinating. He plays our conflicts on a much larger scale.
Like Batman in his adventures, we all face our problems on a daily basis. Maybe some of us look a lot more like this superhero than we think.
32. Writing, for me, is a combination of objective and subjective approach. Sometimes you take an objective approach to help you get over things, and you take a subjective approach at other times, and that allows you to find an emotional experience for the audience.
Writing can be a very positive activity for anyone, thanks to it we will be able to organize our thoughts in a much more efficient way.
33. I would never say that someone else’s movie isn’t a real movie. The quote is incorrect.
As a filmmaker, he prefers not to talk about other people’s work, because you never know how difficult developing a film could have been.
34. What I’m trying to do is write from the inside out. I really try to dive into the world of cinema and characters, I try to imagine myself in this world instead of imagining it as a movie that I watch on the screen. Sometimes that means I understand things the way the audience will, with the character and the story.
As seen in this quote, Nolan delves very deep into the creation of all of these films that he makes, always trying to find the point of view that the viewer needs to have later.
35. My funniest experiences of going to the movies have always been going to the movies, sitting there and the lights go out and a movie pops up on the screen that you don’t know everything about, and you don’t know every single one. turn of the plot and every character move that needs to happen.
The cinema is a magical place for many people. Spectators are often seated in one of their rooms, unsure of what a wonderful adventure that day will surprise them.
36. The best actors instinctively feel what other actors need, and they just live with it.
There are a lot of good actors, but there are some who always manage to stand out from the crowd. Not all artists succeed in achieving excellence in their work.
37. Against what I react to other people’s work, as a viewer, is when I see something in a film that I feel supposed to make me feel emotion, but I don’t think the filmmaker shares this. emotion. They just think the public will. And I think you can feel this separation. So every time I find myself writing something that I’m not really responding to, but I’m like, “Oh yeah, but the audience will be happy,” then I know I’m on the wrong track.
When this filmmaker creates his works, he also wants to feel the same emotion that audiences will feel later. If the emotion is not perceived by him, it is very likely that Nolan as the director will be forced to reject this scene.
38. I remember the initial genesis quite clearly. My interest in dreams comes from this notion of realizing that when you dream you create the world you perceive, and I thought the feedback cycle was pretty amazing.
Thanks to dreams, we can all navigate our subconscious, which we find in this dream place, it may surprise more than one of us.
39. In particular, the actors, for having analyzed the script in great detail from the point of view of their specific character. So they can know exactly where the character is in the timeline of things. In this sense, the actors become their best control over the logic of the play and how it all fits together. They become indispensable collaborators. The most important thing is that you have to work with very smart actors.
Having the right cast for a movie is definitely a key factor in making it successful later on.
40. What attracted me to Batman in the first place was the Bruce Wayne story, and he’s a real character whose story begins in childhood. He’s not a fully formed character like James Bond, so what we do is follow this guy’s journey from a kid going through that horrible experience of becoming this amazing character. This, for me, is become a three-part story. And obviously the third part becomes the end of the boy’s story.
One thing we can see in his particular version of Batman is where this character came from. Well, as one can imagine, Batman could never have become who he is, without having gone through great vicissitudes throughout his life.
41. A hero can be anyone. Even a man who does something as simple and reassuring as to put a coat over a child’s shoulders to let them know the world is not over.
Heroes in reality are completely normal people, it’s all those men and women who, in the most difficult times, will selflessly reach out to you to try and help you.
42. People want to see something that shows them you can do what you say. This is the trick.
A good director always seeks to surprise his audience, and in this particular case Nolan is no exception.
43. For me, the most interesting approach to black cinema is subjective. Gender is really not knowing what’s going on around you and that fear of the unknown. The only way to do it effectively is to really walk into the maze, instead of looking at the maze from above, so that’s where I find it.
Black cinema is a very interesting genre for him, something that has alluded to us in several of his works. The gestures of complicity in this type of cinema are often very frequent in most of his films.
44. I’ve been interested in dreams, really since I was a child. I have always been fascinated by the idea that your mind, when you sleep, can create a world in a dream and you perceive it as if it really exists.
Dreams may seem as real as life itself, but it is also true that when we dream we find ourselves immersed in a world where virtually anything is possible.
45. Heist movies tend to be a bit superficial, glamorous, and funny. They don’t tend to be emotionally attractive.
Heist films are often very stereotypical, in his film “Batman Begins”, Nolan wanted to break all these beliefs that until now were held about such films.
46. Film is the best way to capture an image and project that image. It is quite simply, without a doubt.
Films can represent a certain scene very completely, which, for example, with painting would be practically impossible to achieve.
47. I have never considered myself a lucky person. I am the most extraordinary pessimist. I am really.
Even having achieved great success, this director as we see it is not considered a lucky man. His success for him really was only the logical consequence of his hard work.
48. I think the films “Insomnia” and “Memento” share all kinds of thematic concerns, such as the relationship between motivation and action, and the difficulty of reconciling their view of history with the supposedly objective view of that story.
Some of his films have really complex plots, contrary to what some people think, special effects have never been to him the most relevant part of his work.
49. When I was 10 or 11, I knew I wanted to make films.
As we can see, he always wanted to be a filmmaker, a dream which, thanks to his hard work and total dedication, was able to come true. This fact shows us that if we persevere, we can all achieve our goals.
50. The only job that has ever interested me besides cinematography is architecture.
Nolan surely would have been a great architect too, as meticulous planning in both works is obviously just as essential.
51. I want to surprise myself and entertain myself with a movie, so that’s what we’re trying to do for the audience. Obviously, we also have to sell the film.
Succeeding in a film is not an easy task, because no matter how hard we try, there will always be a part of the audience who unfortunately won’t like our work.
52. It’s hard to keep something new for an audience these days. Technology being what it is, people seem to know everything there is to know about a movie before you shoot it.
Current technology can greatly limit a film’s chances of success, which this director knows well.
53. Vintage films for me are often alienating to audiences. There is often a formality. An unconditional quality for them which comes from the misenscene. This also comes from the performances of the actors, as they act the Victorian way, which actually means that they only act the way they saw the previous actors act the Victorian way.
The cinema of yesteryear is certainly very different from that of today, what is called the seventh art has evolved a lot over the years.
54. I like to photograph things and tell a story.
Photography can be a good approach to the world of cinema, a gateway to the world of cinema that is much more accessible to the vast majority of people.
55. I think movies are one of the best art forms in America, and the shared experience of watching a story unfold on screen is an important and joyful pastime. The cinema is my home, and the idea of someone violating this innocent, hopeful place in such an unbearably savage way is devastating to me.
Cinema has been a medium through which American society has been portrayed throughout the 20th century and by this famous director, this art has earned him the utmost respect from all of his potential viewers.
56. If you want to get started, you need imagination. You need the simplest version of the idea, which will naturally grow in the subject’s mind. Subtle art.
Every great movie is always born from a simple idea, that brilliant main idea will be the core so it will then shoot its entire convoluted plot.
57. When you start to really think about the potential of the human mind and its ability to create a whole world while you sleep, I leave thinking that science doesn’t understand our mind at all.
The human mind still holds many unknowns for science, hopefully in the years to come we will have more useful data about its mysterious workings.
58. George Lazenby is no one’s favorite James Bond, but for me the anonymity at the heart of this luxurious production only serves to reveal how the Bond machine works in all cylinders: excellent editing and photography, incredible score , great songs. The most romantic of the series, and in fact, of all things, has a tragic ending.
George Lazenby is arguably one of the most misunderstood James Bonds in history, a famous Australian actor born in 1939.
59. The most stressful and difficult part of making a great film is taking on the responsibility of communicating with a very large audience. You can never hide behind the notion of “Okay, they just don’t get it” or “Some people just don’t get it. You have to consider the size of your audience and you have to communicate in a way that allows them to enter.
A director should always be inclusive in his films, because the more he can appreciate people, the better his job will be.
60. The movie that really caught my eye was Ridley Scott’s “Blade Runner”. It is a film that I have seen many, many times and that I have found infinitely fascinating by its density. I think the density of this film is mostly visual, the atmospheric density, the sound density, more than the narrative density.
“Blade Runner” is perhaps one of the best films in the history of cinema and as we see in this quote, Nolan completely collapses in flattery with its director was the famous Ridley Scott.
61. For me, as a movie buff, I love nothing more than sitting at the movies, turning off the lights and not knowing what I’m about to see or display on the screen. ‘screen. Every time we’re going to make a movie, we do our best to try to systematize things so that we can do the movie privately, so that when it’s finished, the audience has to do what they want. wants.
As a director, he will never release a movie that he hasn’t been able to see before, because only if a movie convinces him one hundred percent that he can get his approval to reveal itself later.
62. I think there is a vague feeling that movies are getting more and more unreal. I know I heard it.
With the use of special effects, today’s films sometimes seem much more unreal, a certain way of working that some directors might try to rethink.
63. Yes, it’s weird when you think back to your own job. Some filmmakers don’t watch their work at all. I actually watch my work a lot. I feel like going there to learn something by looking at the things I did in terms of what I will do in the future, the mistakes I made and things at work or what I Must do.
As a director, Nolan has evolved a lot over time, which makes a lot of sense considering he never wanted to lock himself into a certain way of working.
64. What I like about IMAX is its extraordinary resolution and color reproduction, it’s a very rich image with amazing detail.
The IMAX format is truly amazing, its fantastic picture quality is certainly unmatched today.
65. When you play a video game you can be a completely different person than you are in the real world, some aspect of your brain functioning may benefit from something you could never do in the real world. .
Video games allow us to visit other worlds momentarily, an entertaining activity that can be much more rewarding than many of us usually realize.
66. I am a very lucky person. I can choose the films I want to make. I have a lot of friends in this industry who can’t do this. I grew up in Los Angeles. A lot of my friends are actors, so I realize every day how lucky I am to have this opportunity, so while I’m here I’ll try to do exactly what I want.
Having already experienced success, this director can now devote himself to shooting only films that he is really passionate about. A way of working that only established directors can afford.
67. I always find myself gravitating to the analogy of a labyrinth. Think of the cinema noir and if you imagine the story as a maze you don’t want to be hanging over the maze watching the characters make the wrong decisions because it’s frustrating. You really want to be in the maze with them, do twists next to them, that makes it more exciting … I really like being in this maze.
His films are so gripping that many of us can get lost in them, intricate storylines and fantastic surroundings are their hallmark at all times.
68. As soon as television became the only secondary way to watch films, films had to adhere to a fairly linear system, whereby they could fall asleep for ten minutes and go to answer the phone without really losing their place.
Television is a very different medium from cinema, as many of us unfortunately know, advertising reigns supreme in its programming.
69. Memory can change the shape of a room; You can change the color of a car. And memories can be distorted. These are only an interpretation, not a record, and they are irrelevant if you have the facts.
It’s a famous line from Christopher Nolan’s famous movie, “Memento”. A thriller released in 2000, with which this director quickly acquired great notoriety.
70. Film logistics never allow you to do anything other than shoot on budget.
Funds largely determine how a movie will be produced, no major blockbuster can be made without a big budget.
71. I am not a big dreamer. I have never been. The only thing I obviously got from dream research is that I don’t think there is a specific science that can be applied to dream psychology.
Dreams belong to a part of the mind that is still very little known today, we hope that over time we can all benefit from more scientific research dedicated to this interesting field.
72. Let’s say you have a title like Mountain Bike Stolen, then you read the story, you read another story the next day, then next week, then next year. News is a process of expanding, completing details, and making narrative connections, not based on the timeline, but on the characteristics of the story. There are narrative connections between props, between characters, between situations, etc.
A good movie never happens overnight, thinking of a good storyline can be something that even takes years.
73. I have to believe that when my eyes are closed, the world is still there.
You never know what the future holds, maybe tomorrow the world as we know it will cease to exist.
74. I did “Batman” like I did every other movie, and I did it to my own satisfaction, because the movie, in truth, is exactly what I wanted it to be.
As a director, he always creates films to his liking, because there will always be a part of the audience who, no matter what their job, will not like the film.
75. I try to be as efficient as possible because in my process I think it really helps at work. I like having the pressure of time and money and really trying to stick to the parameters they gave us.
As we can see, this filmmaker is a tireless worker, he always wants to shoot all his films as efficiently as possible.
76. Revenge is a particularly interesting concept, especially the notion of whether or not it exists outside of an abstract idea.
Revenge can be a very negative emotion for any of us, if we get carried away by human beings we can do the most heinous deeds in history.
77. To be honest, I don’t really like watching movies when I’m working. They tend to sink a bit with me.
In this meeting, we discovered an interesting anecdote about his way of working, in times of hard work, he never sees the films of other filmmakers.
78. It’s always a fun collaboration with my brother. I’m very lucky to be able to work with him. There is honesty in collaboration. There is a lack of gender or ego in our conversations. And then you can really throw it all away.
Jonathan Nolan his brother is also a well-known filmmaker, between the two wrote the scripts for many interesting films.
79. If I could steal someone’s dream myself, I would have to go for an Orson Welles.
The creator of “War of the Worlds” is a great source of inspiration for any filmmaker today. A great well of wisdom that this director always drank when he needed it most.
80. I have been interested in dreams since childhood and wanted to make a movie of them for a long time.
In the end, Nolan managed to make his dream come true, a fact that shows us that perseverance always pays off over time.