HP Lovecraft’s 68 best quotes (and famous quotes)

HP Lovecraft (Providence, Rhode Island: August 20, 1890-ibid., March 15, 1937) was an American author famous for his works of horror, science fiction and dystopias.

His writing career marked the next generations of the genre, as he innovated in different fields of literature.

    Table of Contents

    Phrases of HP Lovecraft and great excerpts from his work

    In his works, Lovecraft mix horror with supernatural, sci-fi, futurism and more which makes it totally recognizable to the general public. He also cultivated works of poetry, essays and missives.

    today let’s get to know the best phrases of HP Lovecraft, As well as some of the excerpts from his books that most remind his readers of him.

    1. (…) The only thing he asks of life is not to think. For some reason, thinking scares him, and he shies like a bane from anything that can spark his imagination. He’s a very thin, gray, wrinkled subject, although some say he’s not as old as he looks. Fear has nailed its earthy claws to him, and everything makes him jump, his eyes wide open and his forehead covered with sweat.

    Describing a gray man.

    2. What followed was an exhaustive comparison of the details and a moment of frightening silence when the detective and the scientist came to the conclusion of the practical identity of the sentence common to these two diabolical rituals belonging to worlds so different and distant! ‘from each other. .

    Extract from “The strange house raised in the mist”.

    3. These people are so calm and savage that one has the impression to see in front of a hidden enigma of which it is better not to seek anything. And this feeling of strange unease intensifies when, from a high point on the road, one sees the mountains rising above the thick forests that cover the region.

    Another small excerpt from the same book: “The Strange House Elevated in the Mist.”

    4. About graves and graves I already knew and imagined a lot, although by my peculiar character I had moved away from all contact with cemeteries and cemeteries. The strange stone house on the slope was a source of interest and speculation to me; and its cold, damp interior, into which I tried in vain to look through the inciting opening, had no connotation of death or decay to me.

    A few lines from his work “La tomba”.

    5. The terms which best suggest the general character of our experiences are those of immersion or ascent; for in each revelation a part of our mind was separated from all that is real and present, and they plunged eternally into frightening, dark and striking abysses, sometimes transcending certain definite and characteristic obstacles that I could only describe as clouds Viscous and coarse vapor.

    From his work “Hipnos”.

    6. West of Arkham the hills rise into the jungle, and there are deep wooded valleys in which the sound of an ax has never sounded. There are narrow, dark canals where the trees slope fantastically and narrow streams flow that never caught the reflection of sunlight. (…) But all are now empty, with the large chimneys collapsing and the walls hanging under the Dutch ceilings.

    Describing the landscape from one of his most famous works.

    7. (…) It was not the fruit of the planets and suns shining in the telescopes and photographic plates of our observatories. It was not the breath of the sky with movements and dimensions measured by our astronomers or considered too large to be measured. It was nothing more than a color emerging from space … A terrible messenger from the infinite realms beyond Nature that we know; of a few realms, mere existence stuns the brain with the immense extra-cosmic possibilities it offers to our imaginations.

    Another excerpt from “The Strange Elevated House in the Mist.”

    8. Men of a larger mind know that there is no clear distinction between the real and the unreal; that all things seem what they seem only by virtue of the delicate psychic and mental instruments of each individual, thanks to which we have come to know them; but the prosaic materialism of the majority condemns as folly the flashes of clairvoyance which transcend the common veil of clear empiricism.

    About the winner mentality.

    9. Death is merciful, for there is no turning back; but for the one who returns from the deepest chambers of the night, lost and conscious, there is no more peace.

    Bad life always haunts you.

    10. May the merciful gods, if need be, protect those hours when no power of the will, nor any drug invented by the ingenuity of man, can take me away from the abyss of sleep!

    A request on top of everything.

    11. On a slab, inside a niche, he discovers an old but empty coffin, on the tarnished plate reads this simple word: “Jervas”. In this coffin and in this crypt, he promised me that I would be buried.

    Fragment to begin to tremble.

    12. In front of this lighthouse, the majestic ships of the seven seas have been parading for a century. In my grandfather’s time, it was crowds; in those of my father not so much, and now there are so few that I sometimes feel strangely alone, as if I were the last man on our planet.

    Reflection on the immensity of life.

    13. There was no doubt that the descriptions of dreams and the cuts compiled by the teacher came to corroborate the facts, but the rationality of my mind and the extravagance of the whole subject led me to adopt what, to in my opinion, was the most sensible conclusions.

    About dreams and their influence on our thinking.

    14. The oldest and most intense emotion of mankind is fear, and the oldest and most intense of fears is fear of the unknown.

    Fear is certainly an atavistic feeling.

    15. Neither death, nor fatality, nor anguish can produce the unbearable despair that results from the loss of one’s own identity.

    Above all, be yourself.

    16. Scientists suspect something about this world, but they ignore almost everything. The wise interpret dreams and the gods laugh.

    Excellent sentence from Lovecraft.

    17. Journalism is an easy job. A question of writing down what others say.

    They don’t believe, they just explain creation.

    18. The satisfaction of one moment is the ruin of the next.

    Hedonism generally does not have a bright future.

    19. The man who knows the truth is beyond good and evil. The man who knows the truth has understood that illusion is the only reality and that substance is the great impostor.

    A sentence that Nietzsche could have spoken.

    20. It is a pity that most of humanity has such a limited mental vision when it comes to weighing calmly and intelligently these isolated phenomena, seen and felt only by a few psychically sensitive people, which go beyond common experience. .

    About the paranormal.

    21. Who knows the goal? What has emerged can flow and what has flowed can emerge. The satanic waits dreaming at the bottom of the sea, and over the undulating humanized cities veils the apocalypse.

    Philosophical reflection.

    22. I refuse to follow the mechanical conventions of popular literature or fill my stories with common characters and situations, but I insist on reproducing as best as possible the real feelings and feelings. The result may be mediocre, but I’d rather continue to strive for serious literary expression before accepting the artificial standards of cheap romance.

    About finding your own style.

    23. We had no record of the passage of time, for time had become a mere illusion for us.

    Sometimes time loses its validity.

    24. Among the anguishes of the days that followed, there is the greatest torment: ineffability. I will never be able to explain what I saw and knew during these hours of ungodly exploration, for lack of symbols and the ability to suggest languages.

    A world of phenomena that occur beyond human comprehension.

    25. These were sensations; but in them were incredible elements of time and space … Things that fundamentally have a clear and defined existence.

    One of the ambiguous explanations for the incomprehensible events happening on the cosmic scale of Lovecraft’s beasts.

    26. But more wonderful than the wisdom of the aged and the wisdom of the books is the secret wisdom of the ocean.

    Another of Lovecraft’s phrases that refer to the arcane to talk about what’s going on in their stories.

    27. The logical place to find a voice from another time is a cemetery from another time.

    Another of the pieces that shows the construction of fictional worlds by this writer.

    28. As long as the stars were in position, they could jump from one world to another across the sky; but when the stars were not favorable, they could not live. But even if they couldn’t live, they wouldn’t really die either.

    The extraterrestrial origin of the Lovecraftian monsters is expressed succinctly, as the logic in which they operate cannot be understood.

    29. Their voices make the wind tremble and their consciences make the earth tremble. They bend entire forests and crush cities, but no forest or city has ever seen the destructive hand.

    This indirectly expresses the gigantic scale of the horrors evoked in the stories of this writer.

    30. Our ability to avoid prolonged sleep was incredible, as we rarely succumbed for more than an hour or two to this darkness that had now become a frightening threat.

    The tension of the situations experienced in the pages of Lovecraft goes hand in hand with constant vigilance.

    31. Has fate kept my sanity only to draw it irresistibly towards a more horrible and unthinkable end than anyone could have dreamed of?

    The feeling that humans are powerless in the face of cosmic forces is another constant in his work.

    32. No known art class had encouraged the creation of this terrible object, but hundreds if not thousands of years seemed to be marked on its dark, greenish stone surface the identification of which proved impossible.

    The inability to understand products from the Lovecraftian beast world is one of the hallmarks of the universe that the writer of Providence created.

    33. A strange impulse led me to climb up the large slab, put out the candle and lie down in the unoccupied box.

    Fragment of one of his texts.

    34. Something terrible happened in the hills and valleys with this meteor, and something terrible, although I don’t know how far, is still there.

    In this way, Lovecraft creates an atmosphere of terror.

    35. There are those who say that things and places have a soul, and there are those who say no; for my part, I dare not speak, but I want to speak of the street.

    An appreciation of dualism applied to spaces.

    36. It must have been a natural disease … Although it was impossible to guess what type of disease was producing these terrible results.

    The mixture of the unnatural and the natural is one of the ingredients that Lovecraft used to create ambiguous situations.

    37. No one dances sober if he is not completely crazy.

    Funny opinion of this writer.

    38. The ocean is older than the mountains and is loaded with memories and dreams of time.

    A mythical perspective of the sea and the oceans.

    39. The oldest and strongest emotion in mankind is fear.

    About our most primary emotional side.

    40. The most merciful thing in the world, I think, is the inability of the human mind to correlate all of its contents … one day the connection of dissociated knowledge will open up such terrifying vistas of reality and of our fearful position, that we will go insane by revelation or flee the light to the peace and security of a new dark age.

    Knowledge can be terrifying.

    41. No new horror can be more terrible than the daily torture of everyday life.

    The boredom that the parent sometimes produces can become, for this writer, an ordeal.

    42. I felt at the end of the world; looking over the edge into an unfathomable chaos of eternal night.

    Within reason, a feeling of dizziness occurs.

    43. Who knows in the end? What has increased can flow and what has flowed can rise again. Hatefulness waits and dreams in the depths, and decadence spills over into the hesitant cities of men.

    The collapse of what we value can come at any time.

    44. I took advantage of the shadows which pass from one world to another to sow death and madness.

    One of Lovecraft’s most poetic (and sinister) phrases.

    45. The ignorant and the deceived are, I think, in a strange way to envy. What is not known does not bother us, while an imagined but insignificant danger does not harm us. Knowing the truths behind the reality is a much heavier burden.

    Staying away from reality, according to this writer, takes the pressure off us.

    46. ​​It scares me that my enthusiasm calls me when a real job is demanded of me.

    The urge to experiment can come at the most inopportune time.

    47. With strange eons, even death can die.

    An apparent paradox.

    48. All life is only a set of images in the brain, between which there is no difference between those born of real things and those born of inner dreams, and there is no reason to value one in relation to the other.

    Interesting reflection on the value of memories.

    49. Our brains deliberately make us forget things, to avoid insanity.

    An explanation for the fact that memory does not preserve everything.

    50. If I am angry, it is mercy! May the gods have mercy on the man who, if he is callous, can remain intelligent until the horrible end!

    Another of his take on the concept of insanity.

    51. If the religion were true, his followers would not try to strike their young with artificial conformity; they would simply insist on their inflexible search for truth, regardless of the artificial context or practical consequences.

    Lovecraft sees religion as a system of imposed artificial beliefs.

    52. All I want is to know things. The black abyss of infinity is before me.

    A thirst for knowledge.

    53. The cat is such a perfect symbol of beauty and superiority that it hardly seems possible for a true and cynical civilized esthete to do anything other than worship it.

    A curious reflection on these felines.

    54. Creative minds are uneven, and the best fabrics have their dots opaque.

    Talent decompensates.

    55. The memories and the possibilities are even more horrific than the realities.

    What is not in the present carries a greater emotional weight than what is happening in the present.

    56. The process of digging into the dark abyss is for me the most vivid form of fascination.

    The idea of ​​seeing beyond what can be known is something that fascinates us.

    57. The world is really funny, but the joke is about humanity.

    The subject who suffers from the frivolity of existence is, for Lovecraft, the whole human species.

    58. Man is an essentially superstitious and fearful animal. Remove the Christian gods and saints from the flock and, without fail, they will come to worship … something else.

    A deterministic view of religions.

    59. I never ask a man what his business is because I am never interested. What I ask you are your thoughts and dreams.

    Beyond our initiatives made to survive, this is what makes us live.

    60. Only poetry or madness can do justice to noises.

    Chaos is the norm, not the exception.

    61. The greatest human successes have never been for profit.

    On the motivations that make progress.

    62. I love coffee excessively.

    A curiosity about the personal preferences of the writer.

    63. I have always been a seeker, a dreamer, and a leader in seeking and dreaming.

    It’s one of Lovecraft’s quotes that reflects his tendency to evade reality.

    64. Life is a horrible thing.

    This way of feeling is reflected in his literary work.

    65. Life has never interested me more than escaping life.

    A philosophy of life as opposed to vitalism.

    66. The basis of all true cosmic horror is the violation of the order of nature, and the deepest violations are always the least concrete and descriptive.

    Lovecraft describes the foundations of the genre he created.

    67. I always know that I am a foreigner; a stranger in this century and among those who are still men.

    Lovecraft has been said to be one of the last products of the Victorian era.

    68. It doesn’t matter what a man does to pay. What it is, as a sensitive instrument that responds to the beauty of the earth, that’s all!

    A logic beyond commercialism.

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