Stanley kubrick (1928 – 1999) was an American director, screenwriter and photographer born in New York, USA
This fantastic filmmaker is recognized as one of the best directors of all time and a benchmark in the seventh art. His cult films which include, among others: The Glow, The Mechanical Orange or The Metal Jacket, are undoubtedly films that we should all see at some point.
Great Thoughts and Phrases by Stanley Kubrick
With this article we want to offer a little tribute to this fantastic director sharing with you Stanley Kubrick’s 80 Best Quotes, We hope you enjoy them!
1. No review has ever clarified any aspect of my work to me.
Kubrick received criticism from people who didn’t really understand the value of his work.
2. I think the big mistake in schools is to try to teach children using fear as a motivation.
Fear can paralyze our minds so that we cannot think clearly.
3. The first really important book I read on cinema was Pudovkin’s The Film Technique. At that point, I hadn’t even touched a film camera and it opened my eyes to cutting and editing.
The work Kubrick has done throughout his career was nothing short of outstanding.
4. I never knew anything in school and just read a book for fun when I was 19.
We often do not receive primary education properly, it also happened to Stanley Kubrick.
5. If you can speak brilliantly enough about a subject, you will feel like you have mastered it.
The gift of prayer can help us appear smarter than we actually are.
6. The destruction of this planet would make no sense on a cosmic scale.
The universe is so big that the planet we live in is just a speck of dust floating in the vastness of space.
7. Making movies is an intuitive process, just as I imagine composing music is intuitive. It is not about structuring a discussion.
Those who have mastered an art can do it almost without thinking, as one would say in music: by ear.
8. I don’t like to give interviews. There is always the risk that they will quote you incorrectly or, worse, quote exactly what you said.
When we act live we cannot make any mistakes because it will be recorded.
9. I have always liked to deal with a somewhat surreal situation and present it in a realistic way.
Kubrick is a genius of the seventh art and has produced spectacular works of all kinds.
10. If it can be written or thought about, it can be filmed.
The limits of cinema are set only by our imagination.
11. If man would simply sit down and think about his immediate end and his horrible insignificance and loneliness in the cosmos, he would surely go mad, or succumb to a foolish or soporific feeling of worthlessness.
The vastness of the cosmos is overwhelming and can make us see how small we really are.
12. Perhaps it is vanity, the idea that work is greater than the ability to describe it.
Stanley Kubrick has often been overwhelmed by the genius of the work he was able to present.
13. The sense of mystery is the only emotion felt more strongly in art than in life.
The mystery can be portrayed very well in cinema, but in life it is much more difficult to perceive.
14. There are few directors who you have to see everything they have done. I put Fellini, Bergman and David Lean at the top of my first list and Truffaut at the top of the next level.
Kubrick told us about other directors he admired as well.
15. A movie is (or should be) like music. It must be a progression of minds and feelings. The theme comes after the emotion, the meaning, then.
The way Kubrick was able to express himself through his films was certainly something very special about this great director.
16. When a man cannot choose, he ceases to be a man.
Our decision-making power allows us to be the person we are, freedom.
17. Some people can give interviews. They are very evasive and almost escape this hateful conception. Fellini is good; their interviews are a lot of fun.
Kubrick shows us his admiration for the great director who was undoubtedly Fellini.
18. I have tried to create a visual experience that transcends the limits of language and penetrates directly into the subconscious with its emotional and philosophical charge. As McLuhan would say, in 2001, the message is the medium.
Kubrick was a genius in his art in which he broke new ground with several of his films.
19. I wanted the film to be an intensely subjective experience that reaches the viewer on a level of internal consciousness like music does; to explain a Beethoven symphony would be to castrate it by raising an artificial barrier between conception and appreciation (2001).
Kubrick explains in this quote the importance he placed on the vision that viewers will have of his work.
20. This is not a message that I have tried to translate into words. 2001 is a non-verbal experience; of two hours and 19 minutes of film, there is only a little less than 40 minutes of dialogue.
Without a doubt, Odyssey in Space in a film that no one can miss, a benchmark in the genre of science fiction.
21. The true nature of the visual experience is to give the viewer an instant, visceral reaction that cannot and should not require further amplification.
As Kubrick has developed in his work as a director, this is something that can be seen in his works.
22. The timing of a movie often prevents every detail or uplifting nuance from having full impact the first time it’s seen.
Films seek to have an impact on the viewer so that they fall in love with them.
23. New York is the only truly hostile city. Perhaps there is a certain element of “lumpen literati” which is so dogmatically atheistic and materialistic and earthly that it finds the grandeur of space and the gaze of the mysteries of cosmic intelligence anathema.
Kubrick tells us about this great city loved by all that is definitely New York.
24. Once you accept that there are approximately one hundred billion stars in our galaxy, that each star is only one capable of harboring life, and that there are approximately one hundred billion galaxies in the visible universe. , it’s doable. .
The cosmos has always captivated Kubrick, it is not in vain that he is an inexhaustible source of inspiration.
25. But movie reviews, fortunately, rarely have an effect on the general public. The cinemas are filling up.
The critic and Kubrick didn’t get along very well, but he didn’t care.
26. Generally speaking, I would say that every good movie has elements that can increase the viewer’s interest and appreciation on a second viewing.
Many of Kubrick’s films are made to be seen more than once.
27. I don’t agree with Arthur’s idea, and I think he did so in a joking tone. If anyone had understood it the first time they saw it, we would have failed in our intention. Why does someone have to watch the movie twice to get their point across?
Kubrick had a very particular way of seeing the cinema, which set him apart in his own works.
28. Other ancient planets must be passed from biological species, which are fragile carcasses for the spirit, to immortal mechanical entities.
Kubrick tells us about the evolution humans could go through over time.
29. Children, start life with a sense of pristine surprise, an ability to feel total joy at something as simple as the green of a leaf; but as he grows up, awareness of death and decadence begins to permeate them, already subtly eroding their joie de vivre, their idealism.
The passage of the years changes our personality and our attitude, especially when it comes to how we see or relate to what life presents to us.
30. How much we could appreciate La Gioconda today if Leonardo had written at the bottom of the picture: This woman smiles because she has clenched teeth or because she is hiding a secret from her lover. Hauria tret the appreciation of the one who contemplates it and would have put it in another reality different from his own. I didn’t want that to happen.
The author of a work can give us a default view to provoke conflicting emotions in us.
31. Our psychic shell creates a shock absorber between us and the crippling idea that only a few years of existence separate life from death.
Human beings face death in different ways, but we all share an intrinsic hope that lasts a lifetime.
32. Wanting to break records might sound like a very interesting way of evaluating your work, but I think, especially with such an obviously different film, breaking audience records means people are saying good things to others. . After seeing it, and it is not. is that really what it is?
Kubrick has always been aware that with his work he changed people’s lives, he was a genius very much in relation to his own artistic ability.
33. Whether we admit it or not, in every man’s chest is a small chest of fear that points to that final knowledge that corrupts his ego and sense of purpose.
People’s emotions can be a very difficult thing to understand, but when we find out what consumes us, we have to go.
34. Now our Sun is not an old star and its planets are almost children in the cosmic age.
As Kubrick tells us in this quote, our solar system is a young solar system, still speaking in the star age.
35. Until a few years ago, cinema was excluded from the category of the arts, a situation which, I am happy, is finally changing.
Kubrick explains in this sentence his feelings towards his own art and why it should be more recognized.
36. We don’t think we can hear one big piece of music at a time, or see a big picture at a time, or even read a big book at a time.
The works of genius must be appreciated more than once.
37. Our ability, unlike other animals, to conceptualize our own death creates enormous psychic suffering.
Kubrick tells us in this quote that thinking about our own death can cause us great grief.
38. I do not believe in any of the monotheistic religions of the Earth, but I do believe that each can construct a scientific definition of God.
Kubrick undoubtedly had a very personal opinion on religion.
39. When you think of the gigantic technological advancements that man has made in just a millennium, less than a microsecond in the timeline of the Universe, can you imagine the evolutionary development that older life forms may have taken? ?
As Kubrick explains in this quote, theoretically an alien civilization could have reached a brutal technological level over the millennia.
40. It is precisely the lack of meaning in life that forces man to create his own meaning.
Life can seem meaningless and we ourselves are always looking for a reason for things.
41. However, experienced in a visual and emotional cinematographic context, good films touch the deepest fiber of the existence of the other.
Kubrick has sought to contact the most personal part of all of us in his films.
42. The idea that a film should only be seen once is an extension of our traditional conception of a film as fleeting entertainment rather than a work of visual art.
Kubrick nourished his works so heavily that they were impossible to fully digest with just one viewing.
43. The reviewers all work for the New York publications. 2001 viewers in America and around the world were 95% enthusiastic. Some are of course more insightful than others, but even those who praise the film in relatively shallow strokes are able to catch something of its message.
Kubrick has always had a very special relationship with criticism, a constant standoff throughout his career.
44. I would say that the concept of God is at the heart of 2001 but not any traditional, anthropomorphic image of God.
His great work Odyssey in Space set a precedent for what Kubrick was able to achieve with his genius.
45. Since there is a planet in a stable orbit, neither very hot nor very cold, and given the hundreds of millions of years of chemical reactions created by the interaction of solar energy in the chemistry of the planet , it is quite certain that life, in one form or another, will eventually emerge.
It is a simple matter of the probability that life has arisen and arisen in the length and breadth of space.
46. It is reasonable to assume that there must be, in fact, hundreds of millions of planets where biological life has originated and the potential for that life to develop intelligence is high.
Kubrick was a clear advocate that life could exist beyond our own planet.
47. Some ideas found in 2001 can, if presented as abstractions, often lifeless and are automatically placed in the appropriate intellectual category.
Kubrick put a lot of thought into how his works would be viewed by the general public and critics.
48. You are free to speculate at your leisure about the film’s philosophical and allegorical significance and this speculation indicates that it has succeeded in taking audiences to a deeper level.
This great director has always wanted to dive into the deepest consciousness of his viewers.
49. I think that if a film succeeds, it is to reach a wide spectrum of people who had not thought about the fate of man, his role in the cosmos and his relationship to higher forms of life.
A meeting during which Kubrick evokes the virtues of one of his most relevant films throughout his career.
50. I don’t want to chart a verbal path for 2001, so that every viewer feels obligated to follow or even improvise the theme of losing thread.
This famous cult film might be difficult for the new Kubrick viewer to follow. Plus, it’s one of Stanley Kubrick’s most memorable quotes.
51. Lucasfilm, has conducted research in many fields (cinemas and theaters) and published the results in a report which confirms virtually all of its worst suspicions. For example, in one day, 50% of impressions were wasted. The amplifiers are not good and the sound is bad. The lights are uneven … etc.
Kubrick inquired about theaters showing his films, as if these weren’t good, the film couldn’t be seen in its fullness by the viewer.
52. I have always loved fairy tales and myths, magical stories.
Kubrick has always been a huge fan of the fantasy genre, in addition to the literature on myths and legends.
53. Fellini, he just makes jokes and says absurd things that he knows cannot be taken seriously in his talks.
Kubrick talks about one of his idols and how he made fun of critics like him.
54. They think it’s a kind of senseless anguish to worry about the parts where the passages of my film are shot.
In this quote, Kubrick explains how people thought he was really obsessed with his job.
55. The great nations have always acted like gangsters and the small ones like prostitutes.
Society can be a very strange place, and Kubrick knew very well what he was talking about.
56. Because, one might ask: why should I take the trouble to write a great symphony or struggle to earn my living, or even love another, when I am nothing but one? momentary microbe in a grain? Dust encircling the unimaginable vastness of space?
When we realize our true size to scale cosmic, we can appreciate the enormity of the universe.
57. Anyone who has had the privilege of directing a film knows what I’m talking about, even if it can be like trying to write War and Peace in a wrecked car in an amusement park. this life which can correspond to this feeling.
Kubrick was in love with his job and with it he achieved his personal nirvana.
58. There is something in the human personality which does not like the clear, and conversely, something which attracts riddles, riddles and allegories.
Human beings always tend to be obsessed or at least to show a great interest in the problems that we are facing ourselves.
59. A director with a camera is as free as an author with a pen.
The tool through which a director expresses himself is the camera, both photographic and video.
60. I don’t always know what I want, but I know what I don’t want.
Kubrick knew very well what exactly he didn’t want to portray with his film projects.
61. The screen is a magical medium. It has such power that it can spark interest because it conveys emotions and moods that no other art form can.
Cinema is certainly one of the media that can provoke more feelings in the viewer.
62. If the work is good, everything that is said about the general is irrelevant.
Kubrick was never influenced by criticism, his position was very clear.
63. You sit down in front of a board and suddenly your heart beats. Your hand shakes when you take a piece and move it. But what chess teaches you is that you have to stay calm here and think if this is really a good idea or if there are other better ideas.
Kubrick was an avid chess player, and his hobby certainly helped him develop his cognitive abilities.
64. Never, never, approach power. And don’t be friends with a powerful person, it’s dangerous.
The corrupt always strive for power, which is why the most powerful people are corrupted.
65. To make a film entirely on my own, something that maybe I didn’t need to know at first a lot of other things, what I needed to know was photography.
Photography was the passion for which Kubrick ended up learning about cinema.
66. To make a movie all you need is a camera, a recorder and a little imagination.
With these three simple instruments, anyone can record their own movie at home.
67. Art consists in reshaping life but not in creating life, nor in bringing about life.
Kubrick had this particular vision of what art was for him, certainly a very personal way of understanding it.
68. A man writes a novel, a man writes a symphony, it is essential for a man to make a film.
This great filmmaker had the primary need to express himself through his art.
69. It might sound silly, but the best thing young directors can do is grab a camera and create a movie of any kind.
Kubrick knew very well that what one learns the most in the world of cinema is to create cinema.
70. Observation is a dying art.
Kubrick knew very well as a filmmaker and photographer that the outcome of a work depends a lot on the angle from which it is viewed.
71. Interest can translate into learning, on a scale comparable to the fear of a nuclear explosion on a firecracker.
Kubrick has always had a very particular point of view on the education of the little ones.
72. No matter how deep the darkness is, we must bring our own light.
All people are unique and special, but it’s up to us to know how much we are able to shine.
73. All the work and nothing play makes Jack a boring kid.
Play in children encourages them to develop properly in the world around them.
74. The dead know only one thing, it is better to be alive.
The way Kubrick saw death and his relationship with it was certainly something very special about this fabulous filmmaker.
75. I was never sure that the morality of the Icarus story should simply be, as it is generally believed, “don’t try to fly too high”, or if it could also be seen as “forget about it”. wax and feathers, and do a better job on the wings. “
No doubt Stanley Kubrick was very optimistic about life, we have to learn a lot from him.
76. If chess has anything to do with making movies, it would be in the way it helps you develop the patience and discipline to choose between alternatives at a time when an impulsive decision seems very appealing.
As a chess player, Kubrick learned certain techniques such as controlling emotions and how to deal with them.
77. You are an idealist, and I pity you as you would the village idiot.
Stanley Kubrick has always been a person of great intelligence and a unique personality, qualities that have certainly been used in the making of his films.
78. Do you think (Schindler’s list) was about the Holocaust? … It was all about success, right? The Holocaust is about six million people who are killed. The “Schindler List” is about 600 who don’t. Something else?
Kubrick knew how to see the positive side of all his films that few people were able to perceive.
79. The reason the movies are often so bad here isn’t because the people who produce them are cynical money pirates. Most are doing their best; They really want to make good movies. The problem is in their head, not in their heart.
In the seventh art, greed leads many actors and directors to do poor work just to make money.
80. Include complete banalities.
Kubrick tells us in this quote about his film The Metal Jacket, which, although it is a cult film, has touched on many aspects of everyday life.